Savannah Photographer Dale Reagan

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Browsing Posts in Savannah Photo Resources

  • Digital Photography Books – General digital photography link to Amazon books and merchandise – a good resource for the latest books and gear and software available online.
  • Digital Photography Suggested Reading List:  I found all of the the books below to be quite helpful (simple consumer feedback in action!)  Generally speaking, if you like step-by-step guides then my guess is that any text by Scott Kelby would be a good fit – just make sure that  the text covers the same version of software that you may be using…  If you are into ‘the details’ then Harold  Johnson and the late Bruce Fraser provide a good introduction to the background concepts as well as the evolution of current practices in digital color management and printing.  If you want to explore color adjustments with Photoshop then the books by Dan Margulis are great resources.  For a slightly different view of the creative process then consider the book by Vincent Versace.In many cases the information presented is applicable to newer versions of software, and, it is also common to see updated editions of these books covering the latest versions of the software.  The Digital Photography link above should connect you with many of the current titles.  Many of the authors and titles below provide new/updated versions of the titles below and many create a new book for every version available (so my summaries are probably still adequate for the books listed.)

  1. Professional Photoshop, Author: Dan Margulis.A ‘by the numbers’ approach to color correction.  This is the most opinionated book that I think I have ever read – quite revealing but you may need to read it more than twice!
  2. Photoshop Artistry, Authors:  Barry Hanes, Wendy Crumpler and Seán Duggan.  If you are just getting started with digital photography then this is a great book to get you going.
  3. Photoshop Lab Color, Author:  Dan Margulis.  A detailed exploration of the use of the LAB color space with Photoshop.  [I created some simple online examples (with images from Red Rock Canyon, Nevada) as well as from photographs taken during air travel) using techniques presented in this book.]
  4. Welcome to Oz, Author: Vincent Versace. What’s real got to do with it? This book contains quite a bit of information and techniques for creating both believable and beautiful images. There are a number of simply gorgeous images included.  Note that the approach is described as cinematic – images are carefully crafted using a number of techniques.
  5. The Photoshop CS2 Book for Digital Photographers, Author: Scott Kelby. A step by step reference for mortals. A great introduction to many often requested or used tasks with Photoshop CS2.  Mr. Kelby has an entertaining approach to his chapter introductions (at least in this book) – you can skip them and jump right to ‘the meat’.  Honest!
  6. Mastering Digital Printing, Author: Harold Johnson.  A detailed introduction and guide for creating exceptional quality digital prints.  If you are extremely lucky then all you will ever do it click ‘print’ – it is more likely that you could benefit from exposure to the information that Mr. Johnson shares in this book.
  7. Real World Color Management, Author: Bruce Fraser. A detailed discussion and guide to establishing good color management practices.  Another great resource for understanding how to work with digital color images.
  8. Real World Camera RAW with Adobe Photoshop CS2, Author: Bruce  Fraser. A detailed discussion focused on the use of RAW image files and workflow automation.
  9. The DAM Book, Author: Peter Krogh. A much needed discussion of digital asset management with many useful suggestions, tips and resources.  If your images have value (or if you value them!) then developing or expanding your understanding of D.A.M. is a no brainer… :)
  10. Adobe Photoshop CS2 for Photographers, Author: Martin Evening. A good resource covering many of the ins and outs of using Photoshop CS or CS2.  While the title is similar to the Kelby book this text provides more details.  I also enjoyed the layout of this text.  [Book updated to cover up to CS 4.]
  11. Photoshop CS2 Workflow, Author:  Tim Grey.  This book focuses on using  CS2 with a RAW file workflow.
  12. Image Sharpening with Adobe CS2, Author: Bruce Fraser. A detailed discussion on image sharpening.  Halos are king…

I recently posted the query below to the Nikon Discussion List (a list with quite a number of experienced Nikon users; the list offers email, web or RSS interfaces):

I tried searching for this with no luck. After reviewing the manuals for my Nikon gear (D200 & 8800) and some experimenting I am just looking for confirmation.

Based on the manuals, if you select many of the in-camera image ‘optimization’ (i.e. D200 Optimize image: Normal, softer, vivid, more vivid, custom,etc.) settings (at least for the camera models above) then the in-camera enhancements are limited by file types - I am looking for confirmation that:

- RAW files - are *never* tweaked/adjusted by such settings? (i.e. .NEF files are always ~equivalent to film negatives – simply reflecting basiccamera settings from the capture, ie.. ISO, shutter, aperture, WB, etc.)

- does the JPEG embedded preview embedded in the RAW file reflect ‘optimized’ settings?

- only JPEG/Tiff/other? file types are affected by such settings?

- something else/additional info on this?

For many photo sessions I will shoot RAW+JPEG (currently using ALR, CSx/Bridge.) I have seen web postings that indicate that only Nikon software will properly render these optimizations from RAW files?

===

My summary from the responses (which confirmed what I thought about Nikon NEF/JPEG generated files):

1) NEF (RAW) Nikon files are not directly affected by in-camera optimization settings (at least for relatively recent Digital cameras from Nikon.)

2) JPEG images do reflect in-camera ‘enhancement’ options (saturation, hue, sharpness, other image ‘quality’ options that you can configure using camera settings); the in-camera processing will apply these changes as the files are saved to storage.

3) A guess – each NEF (RAW) file includes an embedded JPEG preview image – I am guessing that this embedded image also reflects optimized settings – can anyone confirm?

Also, for standard camera settings, NEFS & JPEGS contain the same EXIF data for ISO, aperture, shutter speed, etc.

If you shoot ‘optimized JPEG’ + RAW then you may get ‘double goodness’ – at least that’s how I see it; I can have a very close to ready-to-use JPEG without too much editing and the the RAW file is available if needed. Note that the options for RAW+JPEG may vary between camera models – in some instances you have to choose between RAW or optimized JPEG (i.e. older model Coolpix like the 8800.)

An additional note – I previuosly found that some image editing software will alter RAW files (i.e. tinker with your negative!) and this includes prior versions of Nikon software – which would update the embedded JPEG in NEF files (not sure if current versions do this); just something to consider before you start editing your RAW files.   Newer versions of digital photo editing software tend to treat (or give you an option to treat) your RAW or JPEG files as negatives – no changes are made to the file; instead instruction ’sets’ are created and a new image is ‘rendered’ by the software (i.e. Adobe Lightroom 2 and Adobe Photoshop CS4.)   If there is any doubt about this or if you are concerned about having your negatives auto-adjusted then simply create a backup BEFORE doing any editing.   If you use some of the auto-import features then there is also a chance that these tools may be altering your negatives…

Note that when you print an image you are NOT printing the RAW (.nef) file – you are printing an image that your software converts from the RAW format to either JPEG or some other, non-RAW format (i.e. .PSD, .TIFF, .BMP, etc.)  You may also be interested in my post about ink-jet Photo Printing using Adobe products.

Meta-data in photographs

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Metadata or Meta-data is data (information) about data (in this case, image files.)  Modern digital cameras (as well as other digital recording devices) usually store technical information within files created by the device (i.e. digital cameras or cam-corders.)  The ‘native’ information is typically related to the creation of the files captured by the device (i.e. for a digital camera, the date, time, and exposure settings for an image at the time of capture – dates will reflect the internal settings of the camera so they may not be accurate.)  For a digital camera, this data is typically referred to as EXIF data.

Exchangeable Image File Format (EXIF)

Exchangeable Image File Format (EXIF) is a part of the file structure commonly used for image storage.  It has become a standard within the JPEG (and other) common image file formats.  EXIF data may include all of the data types listed below as well as other data specific to a manufacturer’s equipment:

  • Device Make and Model
  • Date and time of capture
  • Shutter Speed
  • Special device-specific settings (i.e. program modes)
  • F-Stop and Aperture values
  • ISO setting
  • Focal length of lens
  • Flash information
  • Type of metering used
  • Pixel dimensions and image orientation (i.e. portrait or landscape)
  • GPS coordinates (either from a built-in, externally attached GPS device or added during post-processing)
  • Colorspace and light source information
  • other manufactuer specific image information
  • custom data (configured within the device, i.e. an embedded copyright statement)

All of the above data can be quite helpful when reviewing images – which camera settings work ‘best’ for the captured scene types?  what are the limits for this camera? (which settings border on the limits of what can be done with the device? creating a sequential/time-based slide show, etc.)

Other data

Other types of data are typically added during the post-processing of the files.  For instance, as a photographer I will add contact information, descriptive information about the scene including location and events as appropriate, rights management information (for viewers interested in commercial use of images), and other appropriate information.  New operatings systems now provide relatively easy viewing of some of this information (i.e. using the Windows/Vista File Explorer and ‘turning on’ the extended attributes tabs.)

Editing Photo Metadata

Using tools like Adobe Lightroom, Adobe Bridge and other programs you can edit (or remove this information from your image files.)  You should consider including basic contact information that you release in electronic form – in some case, web photo-sharing sites will add/edit this information when you upload images; in all cases I suggest that you include copyright information for images that are distributed via digital means (web pages, CD/DVD or other media.)

Meta-data tools for Linux – ImageMagick

OVERVIEW
ImageMagick®, is a software suite to create, edit, and compose bitmap images. It can read, convert and write images in a variety of formats (about 100) including GIF, JPEG, JPEG-2000, PNG, PDF, PhotoCD, TIFF, and DPX. Use ImageMagick to translate, flip, mirror, rotate, scale, shear and transform images, adjust image colors, apply various special effects, or draw text, lines, polygons, ellipses and B\[’e]zier curves.

ImageMagick is free software delivered as a ready-to-run binary distribution or as source code that you can freely use, copy, modify, and distribute. Its license is compatible with the GPL. It runs on all major operating systems.

ImageMagick is primarily a set of command line tools (but there are several GUI interfaces) which provide the means for converting, adjusting and pulling information out of digital image files.

Note that this image information is flagged with ‘rights managment’ in the sample output below using the (Linux/ImageMagick) identify command:

identify -verbose sara-test.jpg

Image: sarah_6264-0806-2008.jpg
Format: JPEG (Joint Photographic Experts Group JFIF format)
Class: DirectClass
Geometry: 3300×2550+0+0
Type: TrueColor
Endianess: Undefined
Colorspace: RGB
Depth: 8-bit
Channel depth:
Red: 8-bit
Green: 8-bit
Blue: 8-bit
Channel statistics:
Red:
Min: 0 (0)
Max: 255 (1)
Mean: 135.414 (0.531036)
Standard deviation: 75.4208 (0.295768)
Green:
Min: 0 (0)
Max: 255 (1)
Mean: 138.12 (0.541646)
Standard deviation: 68.4699 (0.26851)
Blue:
Min: 0 (0)
Max: 255 (1)
Mean: 116.812 (0.458087)
Standard deviation: 80.3365 (0.315045)
Rendering intent: Undefined
Resolution: 300×300
Units: PixelsPerInch
Filesize: 4.99105mb
Interlace: None
Background color: white
Border color: rgb(223,223,223)
Matte color: grey74
Transparent color: black
Page geometry: 3300×2550+0+0
Dispose: Undefined
Iterations: 0
Compression: JPEG
Quality: 99
Orientation: Undefined
Properties:
Exif:ResolutionUnit: 2
Exif:XResolution: 300/1
Exif:YResolution: 300/1
Jpeg:colorspace: 2
Jpeg:sampling-factor: 1×1,1×1,1×1
Photoshop:LegacyIPTCDigest: C95D651F1F7312FDDF1C37B595F55829
Rdf:about:
Signature: e18c62be76d4448795f825acc7547e55a7879581bedcd0396a0f3bf3ca9341ca
Tiff:Orientation: 1
XapRights:Marked: True
XapRights:WebStatement: DER_08062008_6264_forsyth_fount_scb: http://www.dalereagan.com/

Xmlns:dc: http://purl.org/dc/elements/1.1/
Xmlns:photoshop: http://ns.adobe.com/photoshop/1.0/
Xmlns:tiff: http://ns.adobe.com/tiff/1.0/
Xmlns:xapRights: http://ns.adobe.com/xap/1.0/rights/
Profiles:
Profile-8bim: 126 bytes
Profile-exif: 72 bytes
Profile-icc: 3144 bytes
IEC 61966-2.1 Default RGB colour space – sRGB
Profile-xmp: 2962 bytes
Artifacts:
Verbose: true
Tainted: False
User time: 0.540u
Elapsed time: 0:02
Pixels per second: 8.02517mb
Version: ImageMagick 6.3.8 04/23/08 Q16 http://www.imagemagick.org

If you are a digital photographer in Savannah and need assistance with your gear then please note that I do offer one-on-one training – please use the contact form on this site to request more information.


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